Cage Dance

From Wind Repertory Project
Jack Stamp

Jack Stamp


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General Info

Year: 2020
Duration:
Difficulty: (see Ratings for explanation)
Publisher: Unpublished
Cost: Score and Parts - Unknown


Instrumentation

(Needed - please join the WRP if you can help.)


Errata

None discovered thus far.


Program Notes

Cage Dance was written and dedicated to B. Michael Williams, who was a doctorate student and friend with Jack during their time at Michigan State University. Jack states that they “became good friends in the summer of 1987 as we were part of a study group preparing for the notorious Music History Comprehensive Doctoral Exam. Mike’s dissertation study was on the percussion ensemble music by John Cage, and I traveled with Mike to New York City to interview Mr. Cage for his research – an event I will never forget. When I heard of Mike’s passing, it hit me hard. At the age of 66 (in 2020), no longer am I losing teachers or older family members, I am losing friends and colleagues.”

Cage Dance begins with this slow, mournful, but also tribal and exotic, elegiac melody, first heard in the clarinet section, with other instruments joining shortly thereafter. This melody is very metric with time alternating between 10/8 meter and 9/8 of various subdivision groupings. This first section ends with solo presentations in English horn and euphonium as a musical “prayer”. The second section becomes more joyful and a celebration of life with a rhythmic, samba groove and the opening melody is now morphed into a happier, tribal theme. The percussion are then presented in a looping section with several instruments improvising over this repeated rhythmic ostinato. A new, rhythmic samba melody is introduced in the lower winds that is then transferred back to the earlier samba melody. The ending section is a reference to John Cage’s Amores (1943) which was written for percussion ensemble. The first twelve measures of the third movement (from Amores) are featured with the percussionists playing on graduated woodblocks of different tunings with English horn and marimba playing the mournful, exotic, tribal melody from the beginning of the piece as an ending remembrance to the composer’s dear friend.

- Program Note by composer


Media

None discovered thus far.


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • East Tennessee State University (Johnson City) Wind Ensemble (Christian Zembower, conductor) - 2 March 2023


Works for Winds by This Composer

Adaptable Music


All Wind Works


Resources