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  • Madame Butterfly opera is projected live on Times Square during the opening of the Metropolitan Opera 2006/07 season, Monday, Sept. 25, 2006, in New York. (AP Photo/Dima Gavrysh)

    Tom Service on music
    double quotation markPopcorn with your Puccini: can opera on screen ever work?

    Tom Service
    Composers have harnessed TV and cinema since Menotti’s Amahl and the Night Visitors pulled in five million viewers 75 years ago but for my money Kombat Opera’s satire showed us how to do it best
  • 4.48 Psychosis
Lyric Hammersmith 
Co-commission with the Guildhall School of Music and Drama
Music
    Philip Venables
Director
    Ted Huffman
Designer
    Hannah Clark
Lighting designer
    D.M. Wood
Video designer
    Pierre Martin
Sound design
    Sound Intermedia
Movement director
    Sarah Fahie

    ‘It put me in a fever dream’: Philip Venables on turning Sarah Kane’s 4.48 Psychosis into a shocking opera

  • Ariadne, played by Jessica Cale, lies on a bed clutching a pillow tied with red string

    Opera review
    Ariadne/Dido and Aeneas – English Touring Opera conjures two strikingly different mythological worlds

  • Portrait of Jakub Hrusa at a piano

    Interview
    ‘I never choose the cautious option’: Royal Opera’s Jakub Hrůša on collaboration, control and conducting Wagner

  • Choristers in white robes holding lit candles sing inside St Paul's Cathedral

    double quotation markAbide with me: English choral music is a living part of our cultural heritage – we should cherish it

    Jonathan Davies
  • Mark Wigglesworth conducts the Bournemouth Symphony Orchestra

    Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners

  • Performers from The Alonetimes hold hands dancing onstage with projected lyrics behind them

    The Alonetimes review – frenetic, funny and exhilarating music theatre

  • Conductor Sir Antonio Pappano raises his arms, leading an orchestra in concert

    LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2

  • Composer Gavin Higgins and clarinettist Mark Simpson embrace on stage before the orchestra

    RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline

  • Conductor Ed Gardner smiles near a wooden railing in an ornate hallLondon; Philharmonic; Orchestra; behind; the; scenes; BTS; LPO; Music; Woodwind; Strings; Brass; Timpany; Percussion; String; Harp; Violin; Cymbals; Drums; Trumpet

    Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing

  • A black and white photograph shows Patricia Kopatchinskaja playing the violin and Fazıl Say the piano

    PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old

  • Bertrand Chamayou
Press publicity portrait

    Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh

  • The Frankfurt Radio Symphony stand, each with their instrument, in a large room with floor-to-ceiling windows

    Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording

People

  • Portrait of Jakub Hrusa at a piano

    Interview
    ‘I never choose the cautious option’: Royal Opera’s Jakub Hrůša on collaboration, control and conducting Wagner

  • Composer Steve Reich, wearing glasses and a black cap, stands before bookshelves

    Interview
    ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back

  • Bruno Schrecker playing the cello

    Obituary
    Bruno Schrecker

  • Wynton Marsalis in a navy suit holds a trumpet while looking at the camera against a grey background

    Interview
    ‘Trumpeters? We think we’re the kings of the orchestra’: Wynton Marsalis prepares to blow the Edinburgh festival away

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